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Dr. Henrik Eger, tenured professor of English and Communication at DCCC in Media, PA. Born and raised in Germany, studied in Europe and the US. Ph.D. in English from the University of Illinois at Chicago (1991). Nobel Peace Prize mail translator for Martin Luther King, Jr.; editor of Who's Afraid of Noam Chomsky?. Conducted drama writing workshops for Indian writers and published WriteWrite Rewrite: Surrealistic Stories and Sketches, Dramas, and Dialogues, incl. introductory essay “Can One Learn Creative Writing?” Contributed six entries to Literary Exile in the Twentieth Century: An Analysis and Biographical Dictionary (Greenwood Press), incl. those on Stefan Zweig and Else Lasker-Schüler. Wrote and narrated the first video about AAJT: The World’s Largest Secular Synagogue and Open University (available on Google).

Produced and directed the multilingual "International Shakespeare" performance at the City Literary Institute in London; served as one of ten judges for the Theatre Alliance of Greater Philadelphia’s Barrymore Award Program; conceptualized and co-authored the Handbook for Barrymore Nominators and Judges. Member of the Board of Directors for the Media Theatre and Theatre Ariel, the Jewish Theatre of Philadelphia. Wrote Metronome Ticking, a docudrama based on the uncensored letters of his father, a young German WWII Correspondent and Propaganda Officer in occupied France, and the haunting memoirs of the wife of a Holocaust survivor (Dachau and Buchenwald). Eger’s latest play, Mendelssohn Does Not Live Here Anymore, is based on historical documents from Felix Mendelssohn's time and from original Third Reich sources. Dr Eger is on the Editorial Board of AAJT from May 2008 .Website: www.henrikeger.com  Email Address: eger@aol.com  


Although Philadelphia is separated from Jerusalem by 9313 kilometers (or 5787 miles), in the city of Brotherly Love feelings still run high among Jewish-Americans on Israeli-Palestinian issues. The Interact Theatre, under Artistic Director Seth Rozin, which aims to “change the world, one play at a time,” presented free staged readings of four plays (see below) and a panel discussion as part of the Israeli-Palestinian Theatre Festival, all centered around the world premiere of Larry Loebell’s House, Divided.

While House, Divided received outstanding reviews and large audiences, many in the Philadelphia Jewish Community seem skeptical vis-à-vis Palestinian-Israeli dialogues. However, no event brought in more people than the reading of My Name is Rachel Corrie, delivered with a wide-range of feelings and a powerful sense of humanity by Philadelphia actress Julianna Zinkel. Corrie, who acknowledged the suffering of Jewish people, also wrote, “The scariest thing for non-Jewish Americans in talking about Palestinian self-determination is the fear of being or sounding anti-Semitic. [. . . .] but I think it’s important to draw a firm distinction between the policies of Israel as a state and Jewish people.”

Corrie’s story found resonance during the panel discussion, which featured Rosi Greenberg, a young Jewish woman and daughter of a rabbi who went to Israel with Birthright, stayed with an ultra-Orthodox family in Jerusalem for one month, and then lived with a Palestinian family for two months. As a result of these experiences, she said she felt strengthened in her Jewish heritage; however, like Corrie, she identified with Palestinians and clearly distinguished between Israeli state policies and Jewish people who reach out and search for peaceful solutions.

The reading and the panel prompted a great deal of discussion among panel members and from the audience. Several older people present told me that they were very skeptical and had heard negative things about the diary of Rachel Corrie. However, they admitted that they were deeply moved and even cried, but most of all, recognized that there needs to be more dialogue.

Panelist Rabbi Nancy Fuchs Kreimer said that Jewish people have been oppressed for over 2000 years and were always the victims, people without any power. However, since 1948, things have changed dramatically, and Israelis now struggle with a human use of power and force. She added that these conflicts have fractured Jewish communities, and that even within Jewish families, the rifts can run very deep, well illustrated by Interact’s production of Loebell’s play.

Responding to her comments, one person present compared the treatment of Palestinians to that of Native Americans, who were deprived of their land and their rights. Another audience member offered a litmus test for learning and understanding, explaining that putting oneself into the position of the other can create a shift in perspective, where dialogue and more creative solutions can evolve. The Rabbi concluded the panel by encouraging everyone to read Israeli books and newspapers, including Haaretz, and pointed out that while Jewish-Americans often tend to see things in black-and-white terms, many Israelis are significantly more informed and far more flexible.

Afterwards, a Jewish attendee wrote to say, “Many of us here spend much time trying to make sense of it all. Tough, heartfelt, eye-opening conversations occur between folks who are willing to not just listen, but really hear. Sometimes it's not very easy -- especially letting go of long held beliefs that can trigger anger, fear, disappointment . . . [But] Much good work around this is being done by the Jewish Dialogue Group and those that support them.” Clearly, the Interact’s Israeli/Palestinian festival had not only stirred up feelings, but initiated future dialogues by using these plays and issues to generate a process of thought and reflection.

Below, the full schedule of Interact Theatre Company’s Israeli/Palestinian Play Festival:

Saturday, June 7, 2008
11:00 a.m. Concert Reading : Dirty Story

written by John Patrick Shanley, directed by Sean Christopher Lewis
From the acclaimed author of Doubt and Moonstruck comes this metaphorical and satirical take on the relationship between Israel and the Palestinian people, as an itinerant young writer moves in with her surly middle-aged mentor only to embark on a truly dysfunctional relationship, abetted by an equally dysfunctional British and American duo.

2:00 p.m Concert Reading : My Name is Rachel Corrie,

 Adapted from Rachel Corrie’s personal diary by Alan Rickman and Katharine Viner, directed by John Bellomo, featuring Julianna Zinkel
The controversial one-woman play chronicles a young American woman’s observations and insights as she travels to the West Bank to fight for the Palestinian cause and, ultimately, dies at the hands of an Israeli bulldozer while standing in front of a Palestinian home.

4:00 p.m.: Symposium
A panel discussion examining different perspectives on the Israeli-Palestinian conflict.
Featuring Rosie Greenberg, Rabbi Nancy Fuchs Kreimer & Marlena Santoyo of the Jewish Voice for Peace

8:00 p.m.: Mainstage Performance House, Divided, written by Larry Loebell, directed by Seth Rozin

Sunday, June 8, 2008
11:00 a.m.: Concert Reading : Reading Hebron,

written by Jason Sherman, directed by Seth Reichgott
A Canadian Jew, while struggling with his own religious and cultural identity, becomes obsessed with the Palestinian cause in the wake of the massacre at the mosque in Hebron.

2:00 p.m.: Mainstage Performance House, Divided, written by Larry Loebell, directed by Seth Rozin

7:00 p.m.: Concert Reading : Goliath,

written by Karen Hartmann, directed by Lisa Jo Epstein
A family of settlers are forced to evacuate their house by a conflicted Israeli army officer, revealing divisions within the Jewish community.

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